Asian media is raising concerns about the ‘invasion’ of globalised content on various screens that threatens local content and may necessitate government regulation such as imposing a content quota system to preserve local cultures in the region.
In Bhutan, Bollywood programmes and Korean dramas and variety shows have invaded local content, says Kinley Dorji, a journalist and Secretary, Ministry of Information of Bhutan during the Moderated Debate at the 13th Asia Media Summit in Incheon, Korea.
Asian media is raising concerns about the ‘invasion’ of globalised content on various screens that threatens local content and may necessitate government regulation such as imposing a content quota system to preserve local cultures in the region.
In Bhutan, Bollywood programmes and Korean dramas and variety shows have invaded local content, says Kinley Dorji, a journalist and Secretary, Ministry of Information of Bhutan during the Moderated Debate at the 13th Asia Media Summit in Incheon, Korea.
“Globalisation is a powerful force, and our response should be localisation. Though Asia is rich in culture, it is poor in content. Thus we find countries in Asia having to contend with the invasion of Bollywood and Korean programmes,” he said.
Such invasion is also real in Pakistan, says Ms Moneeza Hashi, President of Public Media Alliance and General Manager of International Relations, HUM TV.
”I hold media responsible for the shift on how children are forgetting their own culture and thinking more like those of the West,” she said.
She said a different threat on local content is also taking place in her country. That has to do with keeping alive distinct cultures of the country’s six key provinces, putting together the different arts, songs, dances, traditions and other cultural traits and making them part of the national content.
Mr Jeffrey Barabe, President of Oceana TV, Palau shared a similar sentiment as a questioner to the panel, saying the country will lose its languages and may become extinct in the future because kids are now more exposed to Korean and US programmes than to local content.
“We need government to invest in local content to preserve Palau’s culture,” he said.
Being a colony of Spain, the US, Britain and Japan for many years, the Philippines has suffered from a colonial mentality that gives less viewing priority to local programmes rich in cultural history, says Jason Bernard Santos, Executive Producer and Director of GMA Network, Philippines.
He added that the invasion of Spanish and Korean soap operas for a time kept local content on the sidelines and to counter this, Filipino TV producers resorted to adaptation of these foreign formats.
Ms Juliet Vivier, Deputy Director, CMC Vietnam-Hiventy Group, Vietnam, offers a different perspective saying that in some countries like in Asia and Africa, local content is growing.
“Thanks to digital technology, we are seeing more local content that is exported to different continents,” she said.
To deal with the impact of globalised content on local content, Ms Kim Kyung Hee, Senior Research, Broadcast Culture Research Institute of Korean Broadcasting System (KBS), Korea, suggests that government can impose a quota system for globalised content as Korea practices.
She said protective measures differ from country to country, and governments must make the right decision to protect local content and let industry grow.
Aside from investing in local content, governments should also invest in infrastructure such as better access to the internet and speedy internet connections to ensure content creators and audiences benefit fully from new technology, says Mr Santos.
Mr Dorji urged Asian media to use new technology and social media to create content that is different and distribute this faster and cheaper.
During the open forum, AIBD Director Chang Jin shared a similar view, suggesting to use new media and social media to deal with foreign content and promote local content.
Mr Salim Keshavjee, Co-Founder, Executive Producer & Director of Xeinium Production Ltd., Kenya, raised another challenge to Asian media to make their local content go global.
“We must have compelling content to be able to penetrate the global market,” he said.
Ms Kim reminded broadcasters that while the intrusion of globalised content threatens local content, we need to acknowledge the benefits of diversity that add value to multiculturalism.
She said the Korean Broadcasting System is investing a lot in educational programmes and sharing them as a way of growing the quantity and quality of Asian content.
‘Invasion of Globalised Content’
Asian media is raising concerns about the ‘invasion’ of globalised content on various screens that threatens local content and may necessitate government regulation such as imposing a content quota system to preserve local cultures in the region.
In Bhutan, Bollywood programmes and Korean dramas and variety shows have invaded local content, says Kinley Dorji, a journalist and Secretary, Ministry of Information of Bhutan during the Moderated Debate at the 13th Asia Media Summit in Incheon, Korea.
Monetising Content
Broadcasters were urged to preserve good content by digitising and managing it efficiently in order to share this valuable resource to future generations and enable companies to make some money.
“So much good content is stored in some offices and libraries of government agencies, private companies and broadcast organisations that unless this is digitised, it will simply vanish in three to five years,” Mr Sanajay Salil, Managing Director, MediaGuru, India, said in his presentation during the plenary session on “Monetising Content and Dealing with Copyright Issues” at the 13th Asia Media Summit on 26 May 2016 in Incheon, Korea.
Big Challenges for Broadcasters
Dato’ Sri Ahmad Shabery Cheek, Minister of Communications and Multimedia of Malaysia, raised the possibility that viewers might stop watching TV in the traditional sense unless broadcasters dealt seriously with new trends impacting their industry, among them; the rising popularity of over-the-top or OTT services, the reach and influence of social media, and evolving media consumption behaviour.
Story with Impact
Mr. Turan Ali, Director of Radio Netherlands Training Centre, Netherlands, has identified various elements in producing programmes that have an impact consistently with audiences.
Art of Good Storytelling
Ms. Poonam Sharma, Director of Singapore MediaGuru, urged broadcasters to relearn the art of good storytelling, and stressed that winning in today’s multimedia landscape means not only creating a story that is relevant and interactive, and one that provokes and engages audiences, but also delivering or executing it creatively.
Future of Broadcasting
The future of broadcasting lies not only in producing creative content that is relevant, innovative, and engaging, but also in adopting formats that keep pace with the demands of various platforms and shifting audience preferences.
Creating Impact: Media in Today’s Society
Media’s power is enormous in today’s society. It can facilitate public debate and discussion and shape public opinion. Its influence extends to its role in development, setting an agenda it deems relevant to nation building. A media with a capacity and interest to report issues on national strategies, social justice and inclusion, social progress, environmental sustainability, and enabling regulatory environment can create wealth in society, develop people’s potential to pursue creative and productive lives, and contribute towards equity and equality for all people.
A Successful Asia Media Summit in Hanoi
[img_assist|nid=1662|title=|desc=|link=none|align=left|width=100|height=66]The Asia Media Summit has concluded in Hanoi, contributing to a growing consensus that it was no longer business as usual for broadcasters in the battle for attention that has become more intense than ever in the digital world.
In his closing remarks, AIBD Director Yang Binyuan said the Summit has helped raise awareness and understanding among broadcasters of new and innovative ideas as well as opportunities offered by technological advances and multiple delivery platforms such as the web, mobile, and social media that will expand their audience reach, address strong competition and improve their products and services as well as business returns.
TV Content Development with French Expertise
TV CONTENT FORMATS DEVELOPMENT
Inspiration – Creativity - Innovation
In the framework of our collaboration with the French Ministry of Foreign Affairs and the Regional Audiovisual Attaché based in Singapore at the French embassy, the AIBD has set up in 2009 a 3-year plan dedicated to TV content development only.2010 is the 2nd year of the plan offering 4 regional workshops.
All over the year 2010, professionals from VTV (Vietnam), MCOT (Thailand), GMA (Philippines), SCTV (Indonesia) and Media Prima (Malaysia) have explored how to design and produce short TV programme, Youth TV Programme, Entertainment TV Programme and Variety Show.
Challenges to Public Service Broadcasting
The media landscape in Bhutan offers many opportunities as well as challenges for those involved in reform. For a country which introduced television as recently as 1999, and which until a couple of years ago had only one (state-owned) newspaper, the spurt in media-related activity, especially since the advent of popular democracy in 2008, has been striking. It is not surprising, therefore, that attention has now turned to strengthening public service broadcasting in this Himalayan idyll.