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Asia Media Summit 2024

19TH ASIA MEDIA SUMMIT
The Asia Media Summit (AMS) is an annual international media conference organised by AIBD as its flagship event. Every year in consultation with the members, partners and various global media gurus, a theme guides the direction and delivery of the summit. Being a unique broadcasting event in Asia-Pacific, it attracts around 500 top-ranking broadcasters, decision makers, media professionals, regulators, scholars, and stakeholders from within and outside the region. Apart from plenary sessions and pre-summit workshops, Asia Media Summit also provides a platform for intergovernmental dialogues to uplift the benchmarks of the regional media industry.

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Asia Media Summit

>Asia Media Summit (Page 19)

Day One – Tuesday, 24 th May 2016

0945 – 1045 Plenary Session 1 : Asian Content Landscape

This session will attempt to map out a broad vision of media content based on present trends and developments in the Asia-Pacific region. It is critical to understand the current status of content industry, production environment in different contexts, support policies from governments and strategies for content development.

Ms Poonam Sharma
Mr Hwang Jin Woo
Mr Yan Chengsheng
Mr Jeff Barabe
Mr Nasir Jamal

          

1115 – 1230 Plenary Session 2 : ICT and the Evolving Broadcasting Environment

The modes of content creation and distribution have shifted inexorably with the advancement of ICT. This session will feature case studies of changes in the broadcasting environment caused by Big Data, next-generation telecommunications, Internet broadcasting, OTT and more. What are the strategies and best practices to manage these changes?

Mr Hairi Soewarso
Mr Kevin Anderson
Mr Mohan Chapagain
Ms Ines Jebali Gdoura
Ms Caterina Gomes
Mr Kwak Dongkyun

          

1400 – 1530 Plenary Session 3 : Compelling Content and New Ways of Telling the Story

How can the dominant issues and events, ideas and emotions of our times be transformed into captivating content? What techniques can broadcasters learn to create content that is original in both concept and format? Audiences are now looking for various platforms that allow them to simultaneously consume and interact with the content. What groundbreaking approaches are being used to create fresh and relevant content for such increasingly selective audiences? This session will feature examples from across the globe of content that breaks the traditional storytelling mold.

Mr Steve Ahern
Mr Antoine Nazaret
Mr Zhang Jianxin
Mr Anders Held
Mr Hussein Kurji
Ms Sunah Kim

          

1600 – 1730 Moderated Debate : Diversity vs Diversity: Coexistence of Local Culture and Globalised Content

While the diversity of media followed by the expanded size of the broadcast industry has satisfied the demands of audiences and facilitated industrial growth, massive media groups may be hampering cultural diversity of each country. Is there a balance between maintaining local culture and accepting successful content from the foreign market? Must measures be taken to resist this wave of globalisation, or should all content creators be given a “level playing field”?

Mr Sami Zeidan
Mr Kinley Dorji
Ms Juliette Vivier
Ms Moneeza Hashmi
Ms Kim Kyung Hee
Mr Salim Keshavjee
Mr Jayson Bernard Santos

          

Day 2 – Wednesday, 25th May 2016

0900 – 1030 : Plenary Session 4 : International Joint Production and Investment Strategy

What are the areas of international collaboration available to broadcasters to produce high-quality content and to allow it to reach vaster audiences? This session will look at some success stories of major international joint productions, effective investment strategies and support policies. How can such partnerships be initiated, and what are the associated obstacles?

Mr Anothai Udomsilp
Mr de Roquefeuil
Dr. Hyunsook Chung
 
Mr Leland Ling
Ms Shelley Mc Morrow
 

          

Day 2 – Wednesday, 25th May 2016

1100 – 1130 : Special Session : Raising Asian Content Value : Proposal for an Asian Content Bank Project

Aside from some content, most Asian content is not on the mainstream in terms of value in the global content market. To link Asian content with the linguistic, cultural and religious diversity and to raise its value, Asia should cooperate to expand its collective potentials.

The Korean Government would like to propose the co-operation project, titled ‘Asian Content Bank’, to make a content business such as online content trading among Asian countries. That way, Asian content providers will expand their business networks and create more active content business.

Prof. Dr. Shim Shang Min
     
     

          

1130 – 1230 : Plenary Session 5 : Monetising Content and Dealing with Copyright Issues

The market for media content is getting more and more complex, particularly with the possibilities of digitisation, online content and multiple platforms. How should broadcasters begin to segment, position, repackage and price their programmes effectively? How can monetary losses due to infringement of copyright be

Mr John Maguire
Ms Marini Ramlan
Mr Sanjay Salil
Mr Iain Martin
Mr Yan Bo
 

          

1400 – 1530 : Showcasing of Selected World TV Awards Entries

AIBD organises annually the World TV Awards competition with the aim of recognising the crucial role played by media in promoting the awareness of the audience on major issues such as cultural diversity, religious understanding, tolerance and peace. This special session will play a selection of high-quality entries for the World TV Awards 2016, including the winners and runners-ups.

Mr John Maguire

          

1600 – 1715 : CEO Roundtable : Looking Forward: Vision for Cutting-edge Content

Technological developments, fierce competition and audience choices in the global media industry are posing a crisis for many broadcasters to create content that can have an impact. What are the future horizons of content that will be explored in the coming decade? This session will look to present the big visions from leaders in the industry of how to strengthen competitiveness of media content in the years ahead.

Ms Nathalie Labourdette
Mr Lv Peng
Ms Francesca Unsworth
Mr Jo Guejo
Col. Dr. Natee Sukonrat
Mr S. M. Haroon-Or-Rashid

          

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  1. AIBD is pleased to announce that the official venue of Asia Media Summit 2016 will be theSongdo Convensia (Convention) Center. The Convensia is located in Songdo IBD, Songdo International City, Incheon Free Economic Zone, Incheon.
     
  2. AMS 2016 Registration Deadline

    The deadline for AMS 2016 registration is Friday, 15 April 2016 which is approaching fast. If you have not done this, please register online as soon as possible at the link here. We are asking for registration by the deadline for logistical purposes.
     
  3. AMS 2016 Hotels Registration Deadline

    The official hotel for AMS 2016 delegates will be the Oakwood Premier Incheon Hotel, while the satellite hotel will be Orakai Songdo Park Hotel, both located at a close walking distance to the Songdo Convensia (Convention) Center.

    Please note that self-funded bookings must be made directly with the respective hotel.

    Discount rates for Oakwood Premier Incheon Hotelare available until midnight of Sunday, 17 April 2016 using the special promo code,which you will see after the online registration process is complete. From 18 April 2016 standard rates apply!!!

    For full information on the room rates for both Oakwood Premier Incheon Hotel and Orakai Songdo Park Hotel, please register online at the link here.

Dato’ Sri Ahmad Shabery Cheek, Minister of Communications and Multimedia of Malaysia, raised the possibility that  viewers might stop watching TV in the traditional sense unless broadcasters dealt seriously with new trends impacting their industry, among them; the rising popularity of over-the-top or OTT services, the reach and influence of  social media, and evolving media consumption behaviour.

Day 2 - Tuesday, 27th May 2015

1615 - 1730 : CEO Roundtable : Should Broadcasting Compete or Collaborate?

Broadcasting has dominated the communication industry, performing such roles as informing, educating, entertaining, and influencing opinion. Social media and emerging media share these roles. Consequently, they are pulling eyeballs away from television. Is broadcasting in a collision course with social media and to what extent? Should it consider social media competition in content creation, audience engagement and revenue generation? If so, how should broadcasters deal with this new player? Or should it collaborate as both platforms can provide what each other needs and influence people’s lives and routines? How far will collaborative strategies pay off for years to come? Should broadcasting embrace the power of social media to meet its business and civic obligations? Should both compete or collaborate?